As an Arab American woman who grew up in Nashville in an evangelical church, I’ve always maintained complex understandings of myself as both an Arab and a woman. My experiences coupled with my love for reading led me to become a journalist where I could explore stories about Arab women in hopes of learning more about myself. After 9/11, watching my family face racism and hate from a country we're so proud to be a part of, I wanted to change the narrative. I got a Ph.D. in Media Sociology from the University of Missouri and started writing critical analyses of media’s poor representation of Arab women and how we can help change the game.
I wrote
Iranian Feminism and Transnational Ethics in Media Discourse
The book examines the mediated dialogue of #WhiteWednesdays, specifically between U.S. mainstream news narratives and Iranian activists on Twitter. These…
The title of the book alone is enough to pick it up.
Abu-Lughod’s book is the crux for so many other works focused on the misplaced victimization of Arab and Muslim women. Not only does she challenge the West’s flawed understandings of these women, but she also implicates the dangers of the West’s foreign intervention. But it’s not all academic jargon.
She includes real and moving stories from women’s experiences that helped me reflect on my own ideological stance as a feminist.
Frequent reports of honor killings, disfigurement, and sensational abuse have given rise to a consensus in the West, a message propagated by human rights groups and the media: Muslim women need to be rescued. Lila Abu-Lughod boldly challenges this conclusion. An anthropologist who has been writing about Arab women for thirty years, she delves into the predicaments of Muslim women today, questioning whether generalizations about Islamic culture can explain the hardships these women face and asking what motivates particular individuals and institutions to promote their rights.
In recent years Abu-Lughod has struggled to reconcile the popular image of women victimized…
Farris’ book is a provocative and timely piece that would make any holiday dinner awkward.
We’ve all heard the arguments seemingly standing up for Arab or Muslim women that sounds a lot like a white savior complex and maybe a little racist. In short, Farris calls out those folks who use gender equality language to hide their racist and xenophobic language and how we can put a pin in that kind of rhetoric.
Sara R. Farris examines the demands for women's rights from an unlikely collection of right-wing nationalist political parties, neoliberals, and some feminist theorists and policy makers. Focusing on contemporary France, Italy, and the Netherlands, Farris labels this exploitation and co-optation of feminist themes by anti-Islam and xenophobic campaigns as "femonationalism." She shows that by characterizing Muslim males as dangerous to western societies and as oppressors of women, and by emphasizing the need to rescue Muslim and migrant women, these groups use gender equality to justify their racist rhetoric and policies. This practice also serves an economic function. Farris analyzes how…
Segall’s book introduced me to so many incredible Muslim women that I hadn’t even heard of!
We’re talking about grassroots and famous protestors that engage with digital media to change the landscape of protest. Segall positions these women in positions of power, which we rarely see in literature, and lets them tell us why their stories matter.
The icon of the female protester and her alter-ego, the female superhero, fills screens in the news, in theaters, and in digital spaces. The female protester who is Muslim, though, has been subject to a legacy of discrimination. Superheroes in the Streets: Muslim Women Activists and Protest in the Digital Age follows the stories of both famous and grassroots Muslim female protestors, bringing careful attention to protest modes and online national icons.
US Muslim women have long navigated public and digital spaces aware of the complex and nuanced histories that trail them. Given the pervasive influence of mainstream feminism, Muslim…
This is hands down the best book on transnational feminism that I’ve ever read!
I have recommended this book to so many people that I’m planning on hosting a book club. Zakaria opens the book with her own experience attending a happy hour with a group of white women that ends on a particularly awkward note.
Zakaria is not only challenging white feminists, but she is also calling out all people who subscribe to white feminism and how it does more harm than good. What is white feminism you ask? Pick up this book and let Zakaria tell you.
Upper-middle-class white women have long been heralded as "experts" on feminism. They have presided over multinational feminist organizations and written much of what we consider the feminist canon, espousing sexual liberation and satisfaction, LGBTQ inclusion, and racial solidarity, all while branding the language of the movement itself in whiteness and speaking over Black and Brown women in an effort to uphold privilege and perceived cultural superiority. An American Muslim woman, attorney, and political philosopher, Rafia Zakaria champions a reconstruction of feminism in Against White Feminism, centering women of color in this transformative overview and counter-manifesto to white feminism's global, long-standing…
I had to throw at least one fiction book on my list.
Etaf Rum is a Palestinian-American novelist with a talent for revealing difficult truths through beautifully written stories about women. Evil Eye addresses generational trauma, the taboos surrounding mental health care, and the discouragement that keeps women from standing up for themselves.
I love the way the protagonist explores herself and what she really wants out of her life instead of what everyone expects from her. Rum’s characters are relatable and complex, creating one of the best books I read in 2023.
The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents.
"After Yara is placed on probation at work for fighting with a racist coworker, her Palestinian mother claims the provocation and all that's come after were the result of a family curse. While Yara doesn't believe in old superstitions, she finds herself unpacking her strict, often volatile childhood growing up in Brooklyn, looking for clues as to why she feels so…
The book examines the mediated dialogue of #WhiteWednesdays, specifically between U.S. mainstream news narratives and Iranian activists on Twitter. These narratives highlight how hierarchies of visibility in both news and social media discourse overshadow transnational feminist politics while reinforcing femonationalist narratives. Such discourses seemingly support women in Iran, but simultaneously promote Islamophobic messages aligned with U.S. geopolitical politics. In a critical discourse analysis of the #WhiteWednesdays campaign on Twitter and mainstream U.S. news coverage of the movement, this analysis complicates representations of Iran, Muslim women, and feminist politics. The author also unpacks the politics of representation, where voices on the ground are obscured in favor of elite sources who reaffirm U.S. Islamophobic and xenophobic ideologies. Scholars and students of communication and media studies will find this book particularly interesting.
Kelly Simmons has been published in 12 countries by Simon & Schuster and Sourcebooks, and her widely praised novels are frequently compared to Big Little Lies.
Her new book, The Off Season, is set on the tranquil shores of the Chesapeake Bay, where headstrong thirteen-year-old Savannah bursts into the local police department, insisting her mother’s drowning was anything but an accident. She’s forced to tangle with the languid Bay police department as well as the year-rounder adults and teens who might be complicit not just in her mother’s death but a decades-old cold case.
For fans of Lisa Jewell and Liane Moriarty. Published in 12 countries by Simon & Schuster and Sourcebooks, Kelly's widely praised novels are frequently compared to BIG LITTLE LIES.
THE OFF SEASON explodes on the tranquil shores of the Chesapeake Bay. A headstrong thirteen-year-old girl insists her mother’s drowning was anything but an accident. She’s forced to tangle with the languid bay police department as well as the year-rounder adults and teens who might be complicit not just in her mother’s death, but a decades-old cold case. With echoes of GONE GIRL and STAND BY ME, it’s part crime, part…
